If you are looking for a compact, lightweight, all-in-one
mixer and recorder, then look no further than the Sound Devices 633. It offers three high-bandwidth mic/ line
inputs on XLR connectors (3+3), complete with phantom power, high-pass filter,
input limiter and variable pan. All inputs are assignable to its six output
buses, left/right plus Aux 1/2/3/4. It records and playsback either WAV or MP3
files for quality and compression preferences.
All six inputs plus output buses left/right and Aux 1/2 can
be recorded to individual tracks. The 633 offers 10-track 24-bit, 48 kHz
uncompressed WAV recording (96 kHz and 192 kHz sampling up to six tracks) to SD
and CompactFlash memory cards. The two cards can be set to the same file type,
recording either identical material for a real-time backup, or to a WAV and MP3
combination. Redundancy is king.
Film editors rejoice! The Sound Devices 633 not only accepts
Timecode from other devices but also has the ability to generate Timecode at seven
different frame rates with five different modes to keep all devices on set in
sync. It has seven sampling frequencies ranging from 44.1 kHz to
192 kHz, with 24 bit A/D.
Weighing in at only 2 lbs 9 oz without batteries and around 3
lbs with batteries, it shouldn’t put as much stress on your neck and shoulders
as it’s heavier counterparts.
The 633 can change between 4 different power supplies automatically
when the previous one runs out or is removed. One can easily shoot on battery
power all day long before having to plug in.
Roll sound! With a two-second power on-to-record time the
whole crew won’t have to wait around for the sound crew to roll. Click the
switch, wait two seconds, and hit record. Sound speeds!
The menu/meter screen is visible in all light conditions and can
be inversed if you want a light or dark display theme. Streamlined menus make
it easy to navigate through all the parameters and options/settings. There is also the
ability to make quick notes or add quick notes to a take, Good, Bad, and many
other phrases built in to help with editing later. Or you can plug in a
keyboard and type notes or sound reports. You can easy allocate and set up
routing of signals as well.
All this in one location mixer with no need for external
recorder, it is quickly becoming the standard for small and larger productions
due to its flexibility and cost. Kits with mixing bags, batteries, cables, and SD
cards are priced around $4,000.00 and the mixer alone is around $3,000.00. You
can shop around to build your own personal location sound kit as well but make sure
above all else, it includes the Sound Devices 633 field mixer and recorder.
This thing sounds awesome! I gotta admit, I want one. Dont even really have a practical need for it yet. I know it accepts Timecode from other devices but are there any other compatibility issues that may come with it.
ReplyDeleteWendell, with these frame rates supported: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND these should be the most standard options to choose from. "When using an external timecode mode, ensure that the 633's frame rate is equal to (or cross-jam compatible) the external frame rate. When the incoming timecode frame rate differs from the 633's frame rate, the frame rate indicator on the L, R, X,1, X2, X3, X4, RTN Meter View will flash the incoming frame rate in red and 633's frame rate in white." is what it says in the manual. In the Jam menu it even shows you the difference between internal and external timecode. Most hardware should be timecode/SMPTE timecode compatible.
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